Zero for Conduct

Josh Hite and Flick Harrison mentored some volunteer photographers at the Vancouver Drawdown this past weekend – if you don’t know the event, it’s the first one ever, and the photos should explain it all.

There was a Chalk Drop at community centres around the city, and various free public drawing stations to draw dancers, paint with your bike (!) and draw on the sidewalk!

Join in next year!!!

Random Acts of Chalk

I’m mentoring photographers and shooting stills at the Vancouver Drawdown event this weekend with my main man Josh Hite! If you’re interested in learning to shoot photos and capture the moment, draw on the sidewalk with a bunch of cool artists, or draw live dancers, come on down!

I’ve been shooting the fabulous works of Ballet BC for some time now. They’ve crossed the digital rubicon and have begun posting short clips online.

Check this one out from Ignite by Emily Molnar.

I used to spend a lot of time doing behind-the-scenes documentaries on feature films.  Since I was working mostly for low-budget independents, the BTS stuff often dropped off the priority list – no one actually used the footage after I handed them the tapes.

But there’s a notable exception: Barry Levy’s The 40,000, which is a full-length documentary produced with footage I shot for his feature film Spook.  It’s about the 40,000 Canadians who served in Vietnam, either by being drafted for their dual citizenship (!) or by volunteering.  Spook is the dramatized version, and The 40,000 is the doc which illuminates the film.

I was fascinated while shooting, and now I’m transported back to that time by seeing the doc.  The real vietnam vet who narrates much of the doc has had his identity obscured to protect him.

I recently cut a new promo for everybody’s favourite experimental dance troupe, the Tomorrow Collective. It’s about Brief Encounters, the regular TC event that throws two artists together to come up with an original performance in two weeks.

Read the rest of this entry »

Here’s a video promo I made several months ago for FUTURISTI, Bella Luna’s re-mount of the 1920′s Italian futursit scripts.

It’s a wacky, unpredictable and absurd piece – but don’t let me go on talking, you should watch it yourself…

I haven’t posted this yet, so with their new CD release it’s probably a good time.

Music Video for The Strange Magic, from their new album “Songs to Burn.”

Shot at the Railway Club and Lamplighter Pub in Vancouver. The amazing archival footage comes from Archive.org.

Check them out at:

http://www.myspace.com/theradiowaves

Last night I had the chance to shoot Theatre Terrific‘s production of The Glass Box, a play about sexuality and disability.  It’s a mind-blowing show, mostly because of the honesty of the content, and the fact that its such an unusual and fascinating topic.

VANCOUVER, BC: Theatre Terrific is pleased to present its new work, The Glass Box, a voyeuristic glimpse into the secret lives of people and their passions. Fresh from its debut in Victoria, The Glass Box opens in Vancouver Feb 18 – 28.

The Glass Box follows a 54-year-old wife and mother, a 23-year-old woman living with quadriplegia and a 32-year-old man with Down Syndrome who find themselves trapped in off-beat talk show. They are given the chance to be the iconic figure of their fantasies. The icons answer dangerous questions with hilarious abandon, as Cleopatra unrolls from her carpet, Sophia Loren sways through her famous striptease and Brad Pit lands the big fish.

Just finished a promo trailer for Theatre Conspiracy‘s new show, Live From a Bush of Ghosts.

The trick was to capture live video projections, two dj’s, and a dancer.

And FYI, the HD fullscreen settings on Vimeo look AWESOME.

Live from a Bush of Ghosts demo from Flick Harrison.

Read the rest of this entry »

I just made a new promo for the Tomorrow Collective’s Brief Encounters show. Looking at the whole montage together, it’s awesome – so many different art forms, so much bizarre mash-up entertainment!

The show puts pairs of artists together for the first time, with two weeks to create a live performance for a 3-night show at the Anza club. I did one with Take 5 and it was the most challenging creative thing I’ve ever done.

Launched in November
2005, Brief Encounters is
an ongoing performance
series designed to push
boundaries and fuse
artistic practices.

Read the rest of this entry »