Aug 11

anonymooseThe film I made with Catherine Falkner during a residency at Black Bag Media Collective in St John's, Newfoundland is now in distribution with VIVO media arts, and the first screening from this relationship is happening at CineEco environmental film festival in Portugal in October (or as they say in Portugal, "outubro"!

The film, a surrealist propaganda movie against the spraying of Tordon 101 on Newfoundland's highways, will show this week in Seia, Portugal in competition with other shorts.

Thanks to Liz Solo for making that residency happen...

Jul 25

AMoving-Sunset2

4th International Film Festival of Kashmir 2014

The dance film I made with Rob Kitsos, "A Moving," has been accepted to the Kashmir International Film Festival from August 2-11 2014!

If you just happen to be in the Kashmir, that would be your chance to see it ... ;-)

 

Jul 19

I love this article and agree completely.

Why Google Glass Is So Bad and Hated and Will Never Work.

"People pay thousands of dollars to have lasers shot at their eyes so they don't have to wear glasses. People put little pieces of plastic right on their eyes so they don't have to wear glasses. People hate glasses.

You can feel them on your face. You can see them on your face. They restrict your peripheral vision. You have to keep track of them. If you take them off you have to carry them with you. Your one pair has to compliment all your clothes. Wearing glasses makes it harder to wear sunglasses and be cool. Lots of people don't like how they look in glasses. Though imo some are in actuality very fetching. Disclaimer I don't wear glasses."

READ THE REST

Jul 2

logoVIVO has not disappeared, it's just gone underground while the landlord laughs and the City of Vancouver steps in to the rescue.

I'm teaching my very popular Final Cut Pro X workshop there on July 12th, now EXTENDED by one hour to fill you up with Apply goodness.

Total 4 hours (Saturday, July 12th, 1-5pm) | $42.50 for  VIVO members / $50 for non­members

Learn how to import, edit video, add effects and titles, and output to dvd, web, or master files on the once-and-future king of editing software. Stop paying for Adobe subscriptions and get back on the FCP bus!

Final Cut Pro X has finally overcome the clunky launch and now it does pretty much everything an editor needs it to do. (Beginner workshop)

Instructor: Flick Harrison

This Month | VIVO Media Arts Centre.

Jun 17

Toronto Public Library is hiring a filmmaker for a unique and fun job: our Fall 2014 Innovator in Residence.

The six-week residency will take place October 20 to November 30 at the Digital Innovation Hub at Toronto Reference Library.
 
The recently-opened Hub is a learning and creation space that gives anyone with a library card access to a wide range of digital tech, including: Mac computers, laptops and tablets; HD cameras; a green screen; and video editing software, like Final Cut Pro, Adobe Premiere and iMovie.
 
The Innovator in Residence's job will include the following tasks:
 
* Meet with customers to critique and answer questions about their video projects
 
* Create and offer film-related programs and workshops for the public
 
* Post on the Digital Design and Technology Blog (this blog)
 
See the job posting (PDF) for full details - including info on how to apply. Deadline to apply is Monday, June 30.
Jun 17

Jeff Younger's Devil Loops

I'm doing my first live improvised visual performance with Jeff Younger and some amazing dancers and performers tomorrow night at the Orpheum Annex!

TICKETS HERE

I'll be playing with video from Ukraine, with live animation, and VJ-type live cams.  I feel like someone has taken a DJ and said "here's a guitar!" which is pretty fun but also terrifying.  Come see me triumph or crash!  It will be a great event!

The event is produced by the Railtown Cultural Eclective...

- Flick

 

May 16

 Music Visualizations, Synchoric Orchestra dancing Schubert's Unfinished Symphony (1919) (via New York Public Library for the Performing Arts / Jerome Robbins Dance Division)From Hyperallergic.com

The New York Public Library recently digitized thousands of hours of its videos in the Jerome Robbins Dance Division Moving Image Archive, from grainy historic footage to contemporary productions along with preservations of culture. One of these — Annabella — dates from 1897 and shows a dancer swirled in fabric that changes shades.

 

Apr 1

space-baby-poster-letterCome to the spectacular performance of SPACE, BABY.

April 17, 18, 19 - 8 pm
The Toast Collective
648 Kingsway
Tickets $10/15 at the door or at Brown Paper Tickets

Space, Baby is a multimedia performance inspired by the palate of 1960s sci-fi film which tells the surreal story of a lone woman searching her galactic memories in an effort to escape the realities of an ever-approaching future. The woman is a rogue astronaut witnessing her own past. She plays multiple versions of herself as seen through the lens of her changing memories. Using a forcefield of sound and imagery, the camp-aesthetic of films such as Barbarella, and the genre-bending of American Astronaut, Space, Baby is a multimedia performance about regret and forgetting.

BUY TICKETS HERE

Catherine Falkner
in collaboration with
Elysse Cheadle
Flick Harrison
Elliot Vaughan

Oct 31

AMoving-SunsetThe film I made with choreographer Rob Kitsos is showing at Dance in Vancouver next month!  Please come down and see it on the big screen, along with other local dance films.  Details to come...

Thursday November 21, 6.30-8pm VIFC

Radar: Exchanges in Dance Film Frequencies is a program dedicated to the exploration and evolution of dance film through connecting artists scene by scene. Curated by filmmaker/curator Adam Sekuler and choreographer Shannon Stewart, RADAR features movement based films of many budgets, styles and perspectives, creating a platform of local/national and international exchange that allows artists to publicly screen their work, discuss, get feedback, and meet other artists working in the same form. In 2013, RADAR screenings took place place in Philadelphia, Brooklyn, Portland, and Minneapolis. Presented by Vancity Theatre and the Northwest Film Forum in association with The Dance Centre.

“A Moving” is a contemporary dance trio that was performed at the Morris and Helen Belkin Art Gallery in March of 2012. The trio was performed within an initialization of visual art by Michael Morris in his exhibit on Concrete Poetry. The dance was performed to music by Martin Gotfrit, choreography by Rob Kitsos and performed by Kim Stevenson, Katie DeVries and Rob Kitsos. The trio was then transplanted into different locations in and around Vancouver BC, filmed and edited by Flick Harrison. The title was taken from an interchange between Sally Banes, Noel Caroll and Monroe Beardsley on what makes the motions of our bodies ‘dance’.

“A Moving” is an interpretation of the presence of body, gesture and contemporary movement within non-traditional environments. The movement sequence continues throughout the film as the environments interchange between the original performance at the Belkin Art Gallery, to urban architectural locations –to natural environments in and outside the city on Vancouver BC. Through seeing the dance in places we inhabit in the everyday we make our moving bodies accessible, visceral and readable in ways that can become detached in the traditional settings of the theater. Through these sequences, we also perceive the design of our environments in relation to our bodies in a new context.

Sep 25

(FROM THE NW FILM FORUM)

British Columbia artists are invited to submit innovative examples of film and video that reflect the body in motion or dance-based performance for entry in RADAR, a night of short dance films screening at the Vancity Theatre as part of the Dance In Vancouver Festival.

Single-channel video will be accepted in the following categories: narratives, documentaries, abstract and experimental shorts that are staged work remade for the camera (not documentation), choreography created specifically for the camera, as well as the moving body articulated through animation and new media. All work must be no longer than 15 minutes in length.  Performances videos are also considered. Please consider our curatorial question – would we rather see this dance live? Does the video represent a strong marriage of two arts, dance and film?

RADAR is a program that dedicated to the exploration and evolution of dance film through connecting artists scene by scene.  Curated by filmmaker/curator Adam Sekuler and choreographer Shannon Stewart, RADAR features movement based films of many budgets, styles and perspectives, creating a platform of local/national and international exchange that allows artists to publicly screen their work, discuss, get feedback, and meet other artists working in the same form.  In 2013, RADAR screenings took place place in Philadelphia, Brooklyn, Portland, and Minneapolis.

Who can apply? Current residents of British Colombia

Entry Guidelines

Submissions will be accepted until Oct. 15

Preview screeners must be submitted via vimeo, youtube or other links. If chosen, work must be available in quicktime formats.

Submissions should be no longer than 15 minutes in length.

Please enclose contact information with your submission. You will be notified by e-mail if your work is accepted by Oct 20.

Contact Adam Sekuler [email protected] if you have any questions or need more information.

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