Flick teaches DSLR filmmaking at Dawson City International Short Film Festival

icon1 flick harrison | icon4 Mar 31, 2015| icon3

https://i2.wp.com/www.kiac.ca/Images/DCISFF_logo_title_k.pngIf you have friends in Dawson City, or headed there for the film festival, spread the word about this workshop I'm teaching...

In this 3-hour session, participants will be introduced to DSLR cinematography for documentary and drama. Bring your own DSLR camera and compare with your colleagues’! We’ll discuss the differences between DSLR cameras and dedicated film or video cameras, including advantages and disadvantages in comparison to ENG and cinema cameras around Run’n’gun, sound, stabilization, form factor, overheating, and data rates.

Interchangeable lenses bring the beauty (and danger) of depth-of field but a whole new category of learning about chips, adapters, connectivity, speed doublers and more. We’ll touch on gear that can make your DSLR behave more like a regular camera, replace or adapt some of the functions like sound recording, and hacking your cam to unleash the power inside it. And we’ll talk practicalities of hand-holding with or without rigs, manual vs. automatic adjustments, monitoring or using separate-system sound.

Flick Headshot webFlick Harrison (www.flickharrison.com) is a writer, media artist, filmmaker, hacker, community artist, educator and drone pilot in Vancouver. Starting out on the CBC youth series Road Movies as one of Canada’s first professional videographers, he’s since made videos in Pakistan, the US, Mexico and China. As part of the Art and Social Change project, he is studying community arts across Canada in conjunction with SFU, Concordia, U of A and U of T.!

His work has been seen on dance and theatre stages, by millions on television, been nominated and won awards internationally, and slipped into, under and through almost every Canadian funding niche. The Globe and Mail called him “hilarious,” and the Georgia Straight called his work “gorgeously sophisticated.”

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