Jun 23

AMoving-Sunset3The film I made with Rob Kitsos, "A Moving," will play this week at the Sardinia Film Festival in Italy...

The film features Kimberly Stevenson, Katie DeVries and Rob Kitsos with music by Martin Gotfrit and visual art by Michael Morris.

Jun 17

Toronto Public Library is hiring a filmmaker for a unique and fun job: our Fall 2014 Innovator in Residence.

The six-week residency will take place October 20 to November 30 at the Digital Innovation Hub at Toronto Reference Library.
 
The recently-opened Hub is a learning and creation space that gives anyone with a library card access to a wide range of digital tech, including: Mac computers, laptops and tablets; HD cameras; a green screen; and video editing software, like Final Cut Pro, Adobe Premiere and iMovie.
 
The Innovator in Residence's job will include the following tasks:
 
* Meet with customers to critique and answer questions about their video projects
 
* Create and offer film-related programs and workshops for the public
 
* Post on the Digital Design and Technology Blog (this blog)
 
See the job posting (PDF) for full details - including info on how to apply. Deadline to apply is Monday, June 30.
Jun 17

Jeff Younger's Devil Loops

I'm doing my first live improvised visual performance with Jeff Younger and some amazing dancers and performers tomorrow night at the Orpheum Annex!

TICKETS HERE

I'll be playing with video from Ukraine, with live animation, and VJ-type live cams.  I feel like someone has taken a DJ and said "here's a guitar!" which is pretty fun but also terrifying.  Come see me triumph or crash!  It will be a great event!

The event is produced by the Railtown Cultural Eclective...

- Flick

 

Jun 4

95d08e2d901ae9457724d209586a56acI finally figured out how to do something that should have been a no-brainer in FCPX:

Audio-only crossfades in the whole timeline!  Or add multiple sound-only dissolves at the same time to as many clips as you select.

Almost every time I edit, I need to add soft audio transitions between cuts.  All of them.  Even a smash cut that you WANT to be jarring can create an unwanted "pop" when the playhead jumps from one digital audio file to another.

One of the first things I learned working at CBC in the early 90's is that a 3-frame audio crossfade is the best way to smooth out a sound cut without actually making a noticeable overlap.

One of my main reasons for avoiding Final Cut X for almost two years was the difficulty of adding audio-only dissolves.  In FCP 7, you could select your whole timeline, hit command-shift-t, and there you'd have it.

FCPX official workflow is to right-click->expand audio/video, then drag the ends of the audio clips each way so that they are overlapping, then drag the fade handles inwards so that the fades overlap.

GIVE ME A BREAK!  For hundreds of edits?!  Do I have a sign on my back that says "Please give me carpal tunnel syndrome?"

SO I've been perfecting this workflow and thanks to Alex4D, and a little poking around, I've solved it.

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